Lustvoll gab Vogt jede einzelne der Variationen ihr ganz spezifisches Gesicht, erreichte die aber nicht durch übertriebenes Auftrumpfen, sondern durch Klarheit und Offenheit im Spiel. Er schlug einen zurückhaltenden Erzählton an, kostete gleichwohl die Verzierungen lustvoll aus und erlaubte sich dabei gelegentlich leisen Humor

— Schweinfurter Tagblatt, Erna Rauscher, 04. Juni 2016

„Vogt not only played his piano part impeccably, but also impressively brought out Grieg’s brilliant orchestration from his players. He is a rare talent – and we are fortunate that he’s our talent at this time.“

—, Rob Barnes, 20.09.15

„Vogt has played Grieg’s Piano Concerto countless times in his career (he made his Proms debut with the piece in 1992), but never while attempting to conduct it at the same time. Yet he barely seemed to be distracted by the division of labour: Vogt is such a communicative, hyperactive performer that when his hands were occupied at the keyboard he appeared to continue conducting with his knees.“

— The Guardian, Alfred Hickling, 20.09.15

„In Vogt’s performance, passages of powerful abandon never lost their rocking rhythmic snap, and lyrical passages maintained a firm intellectual command of Brahms’s compositional filigree.“

— The New Yorker, Richard Brody, 08.08.14